![]() ![]() The way you light characters can tell a whole story, you can choose which parts in the image stand out or not. Unless you consciously opt for natural light, as with the Dogme films of the 1990s, artificial light gives you many opportunities to better tell your story. More light, more possibilitiesĪ light-sensitive camera is practical, but it doesn’t add much to the artistic process. You see that very often, our eyes find that combination pleasant to look at. Make good use of that.Ĭontrasting left and right colors work well in action movies, blue on one side and orange on the other. With color you very quickly give meaning to the scene. Colored lightīlue is cool, orange is warm, red is ominous. If you’re filming in front of a green screen, make sure the exposure of the subject matches the exposure of the background that will be added later. If in the overall shot there is a table lamp on the left, in a close-up you also have to make sure that the main light source comes from the left. Constant light sourceĮven if you use film lamps, you have to take the layout of your scene into account. The image is sharp but the soft light makes everything flow together. Soft light creates an atmospheric and dreamy style. If your production takes place in the summer with a lot of sunlight, it makes sense to also opt for hard light when shooting indoors to maintain continuity with outdoor scenes. It comes across as direct and confrontational. Hard light produces harsh shadows and contrast. In hard light, the lamps are aimed directly at the subject or the location, in soft light they use indirect light or light with a frost filter in front of it or other filters to diffuse the light. ![]()
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